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Post by HitsvilleSoul on Jul 17, 2005 16:38:15 GMT -5
18) Marvin Gaye By Smokey Robinson
At Motown, Marvin was one of the main characters in the greatest musical story ever told. Prior to that, nothing quite like Motown had ever existed -- all those songwriters, singers, producers working and growing together, part family, part business -- and I doubt seriously if it will ever happen like that again. And there's no question that Marvin will always be a huge part of the Motown legacy.
When Marvin first came to Motown, he was the drummer on all the early hits I had with the Miracles. He and I became close friends -- he was my brother, really -- and I did a lot of production and wrote a lot of songs for him: "Ain't That Peculiar," "I'll Be Doggone." Of course, that means that I spent a lot of time waiting for Marvin.
See, Marvin was basically late coming to the studio all the time. But I never minded, because I knew that whenever Marvin did get there, he was going to sing my song in a way that I had never imagined it. He would Marvinize my songs, and I loved it. Marvin could sing anything, from gospel to gutbucket blues, to jazz, to pop.
But Marvin was much more than just a great singer. He was a great record maker, a gifted songwriter, a deep thinker -- a real artist in the true sense. What's Going On is the most profound musical statement in my lifetime. It never gets dated. Listen to it right now -- "Brother, brother, brother/ There's far too many of you dying" -- it's even more poignant than it was when he made it. I still remember when I would go by Marvin's house and he was working on it, he would say, "Smoke, this album is being written by God, and I'm just the instrument that he's writing it through."
Marvin really had it all -- that voice, that soul, that look, too. He was one very handsome man, and he had sex appeal that women were drawn to always. And his music was sexy, not just "Let's Get It On" or "I Want You," but all of it. You couldn't blame women for falling in love with Marvin.
Beyond being his friend and his brother, I'm a major Marvin Gaye fan. At the time Marvin was alive, his was my favorite male voice. I said before that when you worked with Marvin, it meant you were waiting for Marvin. But Marvin was always worth the wait. I suppose that in a way, I'm still waiting for Marvin.
(From RS 946, April 15, 2004)
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Post by Diamond Girl on Jul 18, 2005 1:33:17 GMT -5
Marvinize, I like that :kingtheman:
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Post by Emerald City on Jul 18, 2005 17:27:30 GMT -5
I just love the way Smokey described him. Usually we see him profiling the Temptations but he really broke it down on Marvin :respect:
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Post by Diamond Girl on Jul 18, 2005 21:14:08 GMT -5
I just love the way Smokey described him. Usually we see him profiling the Temptations but he really broke it down on Marvin Too bad he didn't profile the Tempts, come to think of it; Rod did an alright job, but Smokey 'knew' them
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Kay
Star
*~*Floever A Star*~*
Posts: 1,326
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Post by Kay on Jul 24, 2005 14:27:23 GMT -5
Nice article guys. I don't think there is one Marvin song that I don't like. He was just so great
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Post by Diamond Girl on Jul 25, 2005 15:16:33 GMT -5
Nice article guys. I don't think there is one Marvin song that I don't like. He was just so great A true genius :kingtheman:
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Post by Motown Honey on Jul 29, 2005 19:41:33 GMT -5
I don't like the picture :AHHH:
Great piece though :letmecheckthisout:
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Post by Emerald City on Aug 2, 2005 17:19:05 GMT -5
I don't like the picture Nobody's gonna hunt ya down ((Mo)) LOL I agree they could have chosen a better picture, that one looks a lil cheesy
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Post by Motown Honey on Aug 3, 2005 16:44:51 GMT -5
I don't like the picture Nobody's gonna hunt ya down ((Mo)) LOL I agree they could have chosen a better picture, that one looks a lil cheesy The picture is as scary as the sound of his "Heard It Through The Grapevine". :isthatforreal:
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Kay
Star
*~*Floever A Star*~*
Posts: 1,326
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Post by Kay on Aug 3, 2005 17:38:56 GMT -5
Hmmmm ...I think they should have chosen a different picture altogether. I don't think it's scary at all ((Mo)) or Grapevine lol
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Post by Motown Honey on Aug 3, 2005 17:44:32 GMT -5
Hmmmm ...I think they should have chosen a different picture altogether. I don't think it's scary at all ((Mo)) or Grapevine lol Well, they still spook me, the song and picture :ahhh:
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Post by Emerald City on Aug 4, 2005 13:30:54 GMT -5
Awww quit that ((Melody)) :hug:
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Post by Motown Honey on Aug 4, 2005 20:47:48 GMT -5
Awww quit that ((Melody)) I just am ... I am so serious :shucks:
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Post by fantagurl on Oct 25, 2005 17:17:28 GMT -5
18) Marvin Gaye By Smokey Robinson
At Motown, Marvin was one of the main characters in the greatest musical story ever told. Prior to that, nothing quite like Motown had ever existed -- all those songwriters, singers, producers working and growing together, part family, part business -- and I doubt seriously if it will ever happen like that again. And there's no question that Marvin will always be a huge part of the Motown legacy.
When Marvin first came to Motown, he was the drummer on all the early hits I had with the Miracles. He and I became close friends -- he was my brother, really -- and I did a lot of production and wrote a lot of songs for him: "Ain't That Peculiar," "I'll Be Doggone." Of course, that means that I spent a lot of time waiting for Marvin.
See, Marvin was basically late coming to the studio all the time. But I never minded, because I knew that whenever Marvin did get there, he was going to sing my song in a way that I had never imagined it. He would Marvinize my songs, and I loved it. Marvin could sing anything, from gospel to gutbucket blues, to jazz, to pop.
But Marvin was much more than just a great singer. He was a great record maker, a gifted songwriter, a deep thinker -- a real artist in the true sense. What's Going On is the most profound musical statement in my lifetime. It never gets dated. Listen to it right now -- "Brother, brother, brother/ There's far too many of you dying" -- it's even more poignant than it was when he made it. I still remember when I would go by Marvin's house and he was working on it, he would say, "Smoke, this album is being written by God, and I'm just the instrument that he's writing it through."
Marvin really had it all -- that voice, that soul, that look, too. He was one very handsome man, and he had sex appeal that women were drawn to always. And his music was sexy, not just "Let's Get It On" or "I Want You," but all of it. You couldn't blame women for falling in love with Marvin.
Beyond being his friend and his brother, I'm a major Marvin Gaye fan. At the time Marvin was alive, his was my favorite male voice. I said before that when you worked with Marvin, it meant you were waiting for Marvin. But Marvin was always worth the wait. I suppose that in a way, I'm still waiting for Marvin.
(From RS 946, April 15, 2004) I love the article.Marvin will always be the "King" of Motown!!
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Post by timmy84 on Jan 21, 2006 23:11:30 GMT -5
Before Marvin, there was nothing. LOL
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